Tuesday, August 09, 2005

Agorism Contra Marxism, part 1

[This begins a multi-part summary of known existing portions of Samuel Edward Konkin’s unfinished book Agorism Contra Marxism, which began, and ended, its serialization in Strategy of the New Libertarian Alliance #2, 1982-83.]

The Failure of Marxism

Marxism is dead. This is acknowledged almost everywhere, with the exception of university campuses and among stodgy Old Leftists and uninformed media pundits. “The [Marxist] dream is dead,” wrote Samuel Edward Konkin III. “The institutions move on, decadent zombies, requiring dismemberment and burial. The ‘gravediggers of capitalism’ approach their own internment.”

Marxism failed on many fronts, perhaps on all fronts. Most fundamentally, though, its failure was economic. Marx’s “map of reality” — his class theory — was fatally flawed, and economics was the measure by which his philosophy could be checked with reality. The failure of its economics led inevitably to Marxism’s failure to live up to its political and historical predictions. Wrote SEK3:

“Remember well that Marx outlined history and brooked no significant wandering from the determined course. Should History not unfold according to the determined pathway ‘scientifically’ obtained, all Marxist theoretical structure crumbles. ...

“Marxism failed to produce a ‘workable model of reality.’ On the other hand, it has won the hearts and souls of billions in the past century. In order to bury Marx, it is necessary to deal with his apparent success, not his failures. His strong points must be overcome, not his weak, if [radical Rothbardians, agorists] hope to replace his vision as the prime inspiration of the Left.”

To be continued...

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1 Comments:

At 5:56 AM, Blogger Vache Folle said...

I don't know that I am ready to accept that Marxism is dead. As the basis for political ideology, it tended to become dogmatized, but as a social theory, it has been developed and its problems examined. It can be a useful tool for analyzing social and cultural phenomenon in the tradition of the British Cultural Studies model.

 

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